And Hollywood is obsessed with stories of teenagers who discover their bad dreams or hidden secrets are actually the keys to the salvation of the universe. Someone probably thought that making Roland, the title character of the first book, the lead of the first film wouldn’t satisfy a wide enough demographic. By trying to do both, the movie ends up doing neither. The two leads here- Idris Elba and Matthew McConaughey-work just fine in these iconic roles, and you just want to pick them up and put them in a better movie, one that doesn’t seem stuck in the valley between trying to satisfy hardcore fans of the series and the moviegoers who have never heard of Roland and Walter. As is, it’s more forgettable than loathsome, the kind of movie that occasionally rubs salt in your wounds by reminding you what could have been, but mostly just dissipates from memory as it's playing. Plagued by reshoots and dogged by rumors of poor test screenings, “The Dark Tower” once looked like it would be one of the more notable failures of 2017. I only mention all of this to place the failure of the long-delayed “The Dark Tower” in the right perspective: this isn’t just a mediocre movie-although it is most definitely that-it is a wasted opportunity to fulfill the promise of that opening line from 35 years ago. Over the next few books- The Drawing of the Three, The Wastelands, and Wizard and Glass-King did some of his best writing (the series would actually stretch to seven books and a series of comics, but it’s the initial quartet that holds a special place in my heart). The first book was actually called The Gunslinger, and it was a relatively small volume of brilliant sci-fi/fantasy that used iconic imagery to begin the crafting of a world that would become as rich as those created by George R. “The man in black fled across the desert, and the gunslinger followed.” With that great opening line, an obsession began for millions of readers of Stephen King’s series of books that would eventually be known as The Dark Tower.
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